I was going to wait until the final part of Criminal Justice before I scribbled down my own review. But the gloves are off accompanied by a war of words that has started between Peter Moffat (writer of Criminal Justice) and Timothy Dutton QC (Chair of the Bar Council).
My own take on the 5 parter shown each night is from a lay-person’s understanding of the criminal justice system. The story revolves around Ben Coulter, a young man driving around in his dad’s black cab when a young woman called Melanie, preoccupied with her own thoughts, wanders into his cab in the mistake that it is for hire. They end up driving to the seaside, eating ice cream in the dead of night and getting to know each other. They end up back at her place, where they drink, take drugs and have sex.
Ben wakes up in another room of the flat, staggers into the bedroom to get his things together and say goodbye to Melanie. Yet Melanie is dead, a single stab wound, her lifeless body stretched out on the bed. The beginning of Ben’s Kafkaesque journey into hell.
We see Ben being arrested with the murder weapon concealed on him which inevitably brings the criminal justice into his life at full throttle. A array of legal eagles from the legal aid solicitor who tells him to say “no comment” in the initial police interview to the barrister who gives a false defence in court.
The paternal middle-aged cop running the case who takes evidence from the crime scene, the old lag who takes Ben under his wing, the head honcho of the wing, the bullying prisoner, the ambivalent screws, cynical legal aid solicitor, rookie barrister and so on. And that’s the main problem with this drama, the stereotypes. The script has been described as realistic and powerful but I can’t get beyond “Porridge meets Shawshank” and maybe that’s unfair.
It is not that the characters wouldn’t exist in real life but I don’t understand why Moffat had to reduce them to mere stereotypes that are rendered one-dimensional. It is shame that Moffat couldn’t have crafted more nuanced believable characters. But in saying that Ben Whishaw stands out as Ben Coulter. His depiction of a man who life turns upside down in a short time is believable.
The other slight problem I have with the storyline is why Moffat has to add a whodunit twist. I understand this is part of the plot device as Ben can’t remember what happened that night hence all the trials and tribulations shown by his various defence team in how to plea. Ben becomes visibly frustrated as he believes he isn’t allowed to tell his side of the story and that his defence team put words into his mouth.
Yet Ben’s truth is complicated and not straightforward as he can’t recall what happened after he had sex with Melanie. Is he a rapist murderer as the prosecution argue or an innocent man who was in the wrong place at the wrong time?
It is interesting how the cops hone in on Ben and because, from their point of view, he is carrying the murder weapon. Case closed, no need to extend any further investigation (and this has obvious echoes in real life) including anyone else who had reason to harm Melanie such as a violent ex partner.
And that leads me to the character of Melanie, peripheral but central, their ill fated meeting underpins the whole story and the dramatic tension (and again the viewer gets only a fleeting glimpse of Melanie…who is she?).
Back to the arguments between Moffat and Dutton, there’s a very good article written by Eric Allison who, rightly, points out that miscarriages of justices don’t just arise out of corrupt and dishonest cops and prejudiced judiciary but an incompetent defence team as well. And like in all professions, there are good dedicated solictors who fight for their clients corner and there’s the inept, unethical and exploitative ones.
Why couldn’t Moffat have created a simple story of some young man/woman who gets caught up in the criminal justice system and witnessing their lives spiralling downwards. Someone who gets in too deep (and it doesn’t have to murder/manslaughter… petty crime) who may already be vulnerable, who ends up banged up. Where we see the overcrowding, distress, self-harming and so on. In other words, exposing the squalid and brutal nature of the criminal justice system that uses prisons as social dustbins for the vulnerable and f*cked up.
A storyline that replicates the current situation without the twisty turning whodunit. A storyline that also highlights the authoritarian ideology of NL that has created a climate of ASBOisation and criminalisation along with cuts in criminal legal aid that will inevitably lead to miscarriages of justice.

Posted by harpymarx 
Posted by harpymarx 
Posted by harpymarx