
Delightful murder and the fascinating forensics….
August 20, 2008
It was Splintered Sunrise mentioning the Journal of Forensic Sciences, which does sound fascinating, by the way, that focused my attention to crime dramas on television. I am a sucker for the old crime-show procedurals.
Crime does seem to pay and has become very financially lucrative and a popular subject for the telly ratings, I mean, I think the original CSIfranchise from the Bruckheimer stable is one of the most popular shows on American television. And I seem to gravitate on a regular basis towards Channel 5.
Programmes such as CSI: Las Vegas is a fascinating and creative specimen, as opposed to a “whodunnit” it’s a “howdunnit”…
The science comes across as cool and hip and kinda is the main attraction (the “wow….that’s amazing..” factor) along with Gil Grissom. But what attracts me to the original CSI other than it’s innovation and originality is the independent strong feisty women characters such as Catherine Willows and Sara Sidle (who I miss….), I find them much more compelling and interesting than the women in CSI: Miami and New York.
It’s glossy, slick and fast paced but it still engages me. I am totally flummoxed why I like NCIS (Naval Criminal Investigative Service…says it all!), the politics are dodgy and highly suspect (gawd bless America..) but I suppose what pulls me in is the banter and camaraderie between the characters and especially gizmo goth woman and high-tech science supremo, Abby, along with her addiction to caffeine and the wisecracking, painstakingly putting the evidence together while making it look so simple and solving the “crime”. Oh, and not forgetting the pathologist “Ducky” (to anyone old enough he played Illya Kuryakin in The Man from U.N.C.L.E) with his own quirks and foibles.
Yeah, it is not about anything spectacularly cerebral or challenging but it is about entertainment and entertainment with a bit of a kick. Oh, and talking of franchises, this one from Dick Wolf, leads me to Law and Order (I miss Jerry Orbach) and again, they are all watchable but my favourite (even if the politics are utterly right-wing along with the ethical/moral conundrums of the criminal justice system) is Law and Order: Criminal Intent.
And probably that is to do with the pedantic Detective Goren, who is dogged and steadfast in working out the “why” along with “who” (the viewer sometimes knows already). What I like about Goran is that he’s flawed and has been affected by life. He is a latter day Sherlock Holmes while Eames, his co-worker, is a doctor Watson, much more laid back and adds the humour. She acts as a counter-balance to the melancholic Goren.
These series I have mentioned may project strong independent women but they are still in the background while the central characters are predominantly male. This still reflects the accepted gender roles and expectations as opposed to thinking outside the prescribed gender box. But, cynically, with Hollywood it would be based on whether it would sell and profitability…
Anyway….finally, I really would like to flag up another series (and yeah, with a male central character) that I ended up rather liking and that’s Dexter (based on the Jeff Lindsay novels). Dexter, macabrely, is a blood splatter analyst by day (who sometimes has to check out his own crime scenes!) and a serial killer by night (and there are some comedic elements..).
You know there has to be some hidden trauma waiting to escape from Dexter’s psyche and bits and pieces are revealed of Dexter’s past, including his Larkinsque childhood. There’s also Dexter’s own perception of his behaviour and why he does what he does, his logic is that he constructively channels his violence into killing people who “deserve it”. I originally thought it was too plodding but after a bit I became interested in Dexter’s cold and unfeeling character (the text book label of psychopath applies), the so-called “normal” bloke by day and murderer by night and how he tries keeps those two worlds separate. But there’s the inevitable clashes and collisions between these two worlds. I also like his monotonous voice overs as well.
Yeah, it is cod psychology with a rather reductionist view on good and bad. But sometimes it strays beyond the boundaries and looks at how complicated life is. It’s not intellectually stimulating it’s plain old entertainment with a storyline, script, good acting and snappy dialogue (but there’s time it can get too turgid).
Ernest Mandel once wrote about people who may believe that analysing crime stories is “frivolous”, he also argued, “I can only offer this final apology: historical materialism can -and should-be applied to all social phenomena. None is by nature less worthy of study than others. The majesty of this theory – and the proof of its validity- is precisely in its ability to explain them all”…(Delightful Murder: a social history of the crime story)
And that’s certainly my position on this subject…..
Oh, and because I don’t have cable I’ve never watched The Wire. How remiss…..
The great thing about NCIS is how it’s really a old-fashioned cop show where it’s as much about the banter and camaraderie as the actual case. And Harmon and McCallum are just a joy to watch. Very good on the Israelis too.
Actually, I also love its parent show JAG, despite it being even more patriotic. Lots of humour, lots of action and Catherine Bell doing a fantastic turn as the kick-ass Marine who’s also a crack lawyer.
I’m not sure I agree with your take on the politics of each programme. None could be described as exactly right-wing – um, actors, right-wing?
Look more closely at NCIS and you’ll see how subversive it is – Gibbs is the establishment figure tolerant of his all-inclusive team, DiNozzo is a sexual libertarian, Gibbs is a geek, Abby a goth, Ducky lives with his mother, then there are the tokenistic racial/religious/ethnic charcters… and the crimes are all failures of the establishment.
NCIS tries hard in good old Hollywood fashion and even if it’s butchness reflects Bellisario’s militarism and certainly couldn’t be described as ‘left’, that is to it’s credit because that’s why the networks support it and it gains a worldwide audience.
CSI, by contrast is almost romantic in its flawed non-alignment, though Miami and New York developed a certain religious and patriotic flavour respectively.
The Wire is something which you can drop in and out of, but it has a tendency to lay the politics on a bit thick and it’s intelligence starts to detract from its ability to entertain, so I’ve decided to lay it aside until it has lost any of the zeitgeisty feel which gets journos so wound up about evangelising for it.
The Law & Order franchises are probably the most liberal of the group.
My preference is for Homicide: Life on the Street, which has dated so badly now that it can be watched safely as a period piece.
Ok, I’m now going to do the Wire watcher who goes on about how good it is to the annoyance of the non Wire watcher…
Having finished making The Wire the creative team wrote this editorial in Time magazine. Calling for jury nullification tactics on all non violent drug cases.
The show is not a cop & gangsters show, that’s the vehicle to examine the decline of institutions and capitalism in America, roughly- series 1 was cops & the Barksdale organisation, 2 was labour- the docks and a sex trafficking case and govt. anti union policies 3 was the ‘war on drugs’- politics and de-criminalisation was examined, 4 was the schools- maybe the most incredible season 5 is the media, waiting for the series set via dvd post rental for that (out sept!).
It’s part a post industrial Greek Tragedy, part reportage, all institutional failing and is intelligently political. Plus anything with a Tom Waits song for a theme is on the right track.
Thanks Rick.
Harpy, I second what Rick says. Beg, steal or borrow the box sets. It changes your entire outlook on the genre.
I’ll say no more – re what Rick says at the beginning of his post.
Thanks Sean, I will see what I can do.
favorited this one, guy